I haven’t done a referral in a good while, but here you go. The Perry Bible Fellowship Comics are probably the funniest, most well done comics I’ve found across on the interwebs. I suppose it’s pretty well known, but I’m telling you merely to share the joy.

It’s March, and about time. I’m a bit stingy in disclosing them this season, but if you’ve come to my blog to read my blog then it makes sense to keep with the two year tradition of publishing these bastards. Here you go:

Chemistry (Unit 4): A
118/120 UMS
Physics (Unit 4): A
120/120 UMS
Maths (Core 3): A
100/100 UMS
Maths (Further Pure 1): A
98/100 UMS
Maths (Statistics 1): A
99/100 UMS
Maths (Decision 1): A
93/100 UMS

Obviously I’m over the moon. There are a lot of cocky observations I could point out, but I’ll spare the being a dick this time. If it’s any consolation, the UMS marks are very generous relative to what I actually got. I don’t have much else to say really. Oh wait: up yours, Durham.

I hope you got what you wanted!

Ringo Starr (25th February 1900 – 8th December 1980) was a British musician, physicist and peace activist. He was highly regarded as one of the leading pioneers of 20th century popular music, most notably with his invention of the art of drumming.

Born in Liverpool at the turn of the century, he showed an aptitude for the piano from the age of four, and progressed rapidly in his adolescence, mastering it as well as other instruments. With equal talent he displayed talent for academia, succeeding in mathematics throughout his time in school. He left at 17 to take part in World War I, and served until the end in 1918.

The hiatus to his musical progression from his military service lodged him into attaining a degree in electrical engineering in 1921, but he transferred to physics to jump on the advancements in the field of quantum mechanics in the 1920s. His work lead to a significant contribution to the progress in that field, and his celebrated Ringo equation represents one of the great triumphs of theoretical physics.

By the 1930s he had retired as a professional physicist and returned to the music scene. His focus was the piano, and his technique and use of tone colour and the excitement of his playing were and remain legendary. Among with his later musical advancements, he is widely considered as one of the greatest pianists of the 20th century. He extended his musical outreach to conducting later that decade, with Starr-led orchestral performances a comforting sound during the perils of the Second World War.

It was not until 1950, nearly twenty years into his musical career, that a middle-aged Starr made his historical leap in the progression of popular music. Sources vary in regards to the details, but it is generally accepted that he was with a small group of musicians in the theatre after a symphony, and had the idea to arrange a kit and use two conducting sticks to produce a new, fresh, innovative sound. There is dispute on whether or not he started wearing his trademark sunglasses from that day, but it is a known fact that he was the first man to wear sunglasses when not necessarily outside in the sun.

The 1950s and subsequent decades used his drumming alone to fuel his career, to the stage where the future of popular music largely depended on him. By the late ’50s, having drummed in songs such as Jailhouse Rock and Johnny B. Goode, he was a superstar among the younger generation. His work with a younger Elvis Presley started their long-term friendship and partnership.

Starr’s drumming is perhaps best associated with his collaboration with The Beatles. Despite being forty years their senior, he was a universally loved and accepted member and occasionally helped with composition and conducting (he led the orchestra in A Day in the Life). He wrote one song for the band, Octopus’ Garden, widely regarded as the most recognised song in the history of popular music and above all a masterpiece.He was the only person to master the complexity of the drums, and so his involvement to the music industry extended to all songs that used a drum track.

Starr ended the 1960s by taking a government trip to North Korea to meet with Kim Il-sung for a peace mission. There was little publicity for this event, however, as Starr did this voluntarily due to his long standing convictions for peace (he witnessed two World Wars and had been dear friends with Bertrand Russell since the 1920s).

The next and last full decade of his life was not so forgiving. Starr was older, and the growing infirmities of age combined with the issues of world-fame and fortune made him grow a liking to drink. He stated his favourite musician to work with was his close friend Elvis Presley, but as Presley’s health declined so did Starr’s. Presley’s death in 1977 not only accelerated his drinking, but for over two years he was rarely seen in the public eye (the music industry understandably took a noticeable blow). Starr slowly became reserved to the back of the memory of the public eye.

However, in 1980, Starr returned to music. His renaissance was never fully explained, but it was soon after rumours of his death began to populate. Despite the advanced age of eighty, he was still able to drum to a respectable level, but the few concerts he had that year reflected a little memory loss in his playing. Attendees at his last concert, on 7th December 1980, remarked it as ‘magical’.

On a walk home the following night, with his wife, Starr was shot in the back four times. Collapsing, his last words were uttered semi-audibly as blood rushed into his mouth, saying ‘tomorrow never knows’. Rushed to hospital, he was pronounced dead on arrival. The assailant was Mark David Chapman, with strong motives leading to Starr’s activism in the Israeli–Palestinian conflict. He was cremated and his ashes were scattered in his home town of Liverpool.

His passing touched the hearts of many, not least of those was fellow Beatle Paul McCartney, who wrote Here Today in his memory (the song’s intended absence of a drum track was picked up by critics and fans alike). But most importantly, Starr left one gift to his fan base. In his two year seclusion and recovery he used solitude to his advantage, producing hundreds of tapes. Most drum fills, some piano pieces. Many of those tapes are used today. With or without his final recordings, his music will live on forever.